2012 and Beyond

Hello STM faithful.

Happy New Year and welcome to 2012 and the STM revival.  We sincerely apologize for our long hiatus but the time has come, once again, to wow you with our musical insights.

Over the past year or so we have been busy working hard on our personal and professional lives. STM plans to relaunch this year with the same musical insight and passion as before, but go beyond with new formats and staples to our publications.

We ask that you join us in the musical future here at Standard Tuning Magazine!

How to Destroy Angels FREE Digital EP

By Michael Hacker

Last we left off with Trent Reznors latest project, How to Destroy Angels, we got a first listen of “A Drowning.”

As of this week, the self titled EP How To Destroy Angels (Free/MP3; $2/Hi-Def) has been released via their site. We still think the music channels every bit of a NIN-eque vibe, even with Mariqueen Maandig helming the vocals.

Give it a dl, what do you have to lose? It’s free and may just be the anti Katy Perry “California Gurls” summertime music your ears have been craving.

Digging Deeper: Death and all his friends, Music is dead.

Model: T.Mize Makeup: Dee Photos by: Mike Marano NINE7Three Studio 2010©

By Michael Hacker

For better or worse, Music is an ever evolving entity. Throughout the years since radio has been invented, the world has seen its fair share of one hit wonders and legends alike. What separates the two and makes the later blaze their way into the hearts, minds and ears of millions of listeners and withstand the tests of time?

The Music Industry is in a period of growth that will change everything. This change is happening in the way listeners hear music and the way musicians provide it. It is a scary thought that, not even ten years ago, CD’s were the end all be all. Yet this all changed the day a little site called Napster came along and started showing the world, we want new music and we want it now.

Since that time, Napster has gone through a fundamental change from pirating to legit pay to download site. The shear fact that Napster even existed slaps the record companies in the face with something they could have learned through some market research

1)You charge entirely way to much for a cd.
2) In the majority of highly commercialized albums, especially in Pop and Top 40, only a small amount of the songs are worth a listen. If this is the case, why buy the entire album when you can get the one single you like for free?

I am in no way shape or form advocating Piracy, but this is the shear logic behind why people would download for free. We all know how the story ends for Napster and where digital music has gone from there. But there is a fundamental issue, the big elephant in the room that the record companies do not want to talk about or perhaps even acknowledge. What happened to great music? Where are all the albums you can listen to from beginning to end, every time and never want to skip a song?

In the heat of the money-making movement, the Record Companies put the nails in their own coffins. The term one hit wonder should have never came to fruition. In the old days, you signed with a record company with the knowledge that you were there for the long-term. Artists spent months upon months writing and recording albums and records, perfecting every last guitar strum or vocal line. This made all the difference and created gems and legends.

This isn’t to say that in the “good ole days” there weren’t “musical acts” that came and went out of style. And surely not everyone who ever graced the cover of a record went on to be musical Gods and the things of legends. But Back then, music meant something and record companies triumphed in knowing they created something special.

Today, an artist is lucky if they spend a month writing and recording. Granted times have changed and as a result the turn around time and peoples memories when it comes to artists has greatly diminished.  But the lack of effort going into the music is astonishing. I don’t blame most artists but I do blame the system that requires nothing more than a pretty face and a good look to be a star. After all, the real magic today happens in the editing room.

So what is a music legend?

A music legend can test the sands of time by creating music, album after album, that is timeless. Blues artists were known for this, especially since breakups will go on for ever. To this day I dare someone to sit and really listen to an old blues song by any artist, Frank would say Buddy Guy., But choose anyone from Howling Wolf to more modern Clapton; now tell me the music doesn’t speak to your heart.  That right there is it;that is the stuff legends are made of.

Beyond the blues there’s Frank Sinatra, Bing Crosby, any member of the rat pack, Ella Fitzgerald, Led Zeppelin, Stevie Ray Vaughn, The Beastie Boys, Pink Floyd, Run DMC, Dr. Dre, Metallica, etc etc, the list goes on and on.

These artists and more created something special that is to this day, few and far between. So can music today compare to music of yester years? Yes. Absolutely. But 9 times out of 10 you will not hear it on a top 40 station. These artists come and go with little impact on the greater picture; to the record companies this is completely ok. As long as your listening, they have the ability to put out song after song and artist after artist until everyone sounds exactly the same, but with a different face’s lips moving.

This is the sad reality of music, and more specifically pop music today.   Pop music definitely has its place in the music world, but making it the end all be all only hurts the true artists out there who have something to say. When we start focusing on image rather than quality, we all suffer.

We are a culture of disposable luxuries, and this extends even into our ear drums. Why would we pay $12.00 for an entire album when you can buy the one hit for 99 cents or even worse, maybe download it for free via bit torrent? The music industry essentially destroyed themselves by pushing for highly profitable one hit wonders which in turn,  hurt all artists alike and made it necessary for the likes of iTunes to come about.

If the record companies were to listen to the tell-tale signs spelled out by great modern legends like Radiohead, they would see that by producing music people truly loved, you can give your album away for free and still turn a profit on tour. Radiohead’s In Rainbows was downloaded millions of times and in turn provided sold out shows that summer. Yielding some millions of dollars in profit.

It is the smartest thing to do in the world of highly pirated goods. Could be a win win for record companies who drive traffic to their sites, they get ad dollars and get to promote upcoming concerts. This will cause real singers and artists to arise once again as true performers. Auto-tuners will be shunned because who would go to a crumby show. Music can once again arise to a modern renaissance. This should be the ultimate wake up call for the Record Companies.  The masses have spoken and they have yet to listen. Until  Record Companies catch the hint from modern mega bands like U2 and Radiohead, they will continue to take a hit in the purse and us listeners in our ear drums.

Until that day however, commercial music is spiraling down a path to their own demise and the Record Companies are all to blame.

Guitar and Crossbones © by Bob Liquori

First Listen: Trent Reznors latest project How to Destroy Angels

"A Drowning" cover. Photo: How to Destroy AngelsBy Michael Hacker

For some weeks now we have been following the prospects of a new band called How to Destroy Angels.  Following rumors that Nine Inch Nails frontman Trent Reznor was helming the project with his wife, former West Indian Girl frontwoman Mariqueen Maandig. This alone was reason to garner at least a little bit of excitement and for Nine Inch Nails fans, prospects of the next coming.

Throughout the course of those weeks, we were teased with mini videos on the How to Destroy Angels site. These videos displayed only seconds of recorded songs but were more than enough to hear the classic NIN sound.  These videos were more than enough to bring us back, day after day, hoping for the release of a full length song and any more information on the new band.

Yesterday we were finally awarded Trent Reznor’s acknowledgment  via his rarely used Twitter account in which he linked to this story at Pitchfork.  To our surprise, the story also included a streaming of their first single “A Drowning.”

The song is reminiscent of NIN with one major difference, instead of Trents haunting voice we are treated to Mariqueens.  The 7 minute, 3 second song is a perfect, mellow composure that has already made itself on my playlist of favorite new songs.

The almost dark electronic sound draws you deep into the music.  It all begins with the bass strumming in the background, accompanied by a seemingly electronic piano. Mariqueens voice breaks through the darkness of the melody, slowly building to the climax of the song, at about the 5 minute mark. This brings the song full circle with its coda drowning out on its own accord, leaving you wanting more and pressing play for another go around.

If this single is any indication of what we can expect from this summers release of the How to Destroy Angels title “A Drowning” 6 song EP, were on board.

Check out the audio over at Pitchfork by clicking here.

An Evening of Music: Sublime with Rome in Concert


Back in March we brought you the news that Sublime was back on tour with new lead singer, Rome.  This past weekend They brought the tour to NYC and our correspondent Brian Hacker was on hand to tell us his thoughts.

By Brian Hacker

May 3rd I was lucky enough to have attended the Sublime with Rome concert at The Roseland Ballroom. Playing for the first time as Sublime since the untimely death of their original front man Bradley Nowell, Drummer Bud Gaugh and bassist Eric Wilson were joined by newcomer Rome Ramirez.

“R.I.P. Bradley”.. echoed throughout the darkened Roseland Ballroom. This mid song shout out to the fallen former lead singer by new front man Rome is a moment to surely be instilled in all attending fans memories for quite some time.

When I closed my eye’s, hearing the funky reggae coming from the stage immediately brought me to that special place where I first heard Sublime’s melodic tunes. No Rome is not Bradley, but his voice and love for the music gave him his own stage presence that any music fan could appreciate. Throughout the show he kept looking over too the rest of the guys, smirking, giving the set a jam band feeling. The guy’s seem to mesh well with the new flavor.

There were a few stoppages between songs where the band would take a sip from their “red cups” and take a few puffs from “cigarettes” to prepare for the next song set. This allowed time for the crowd to go buy a drink or spark themselves up, engulfing the room in a greenish haze. The Roseland Ballroom was “Hot Boxed” which was kind of fitting at a notorious marijuana smoking bands show. If you do not understand, listen to the lyrics of the songs your you’re bopping your head too.

On the subject of songs,the choice of Sublimes set was eclectic. They played songs I thought were less popular with a new funky sound; mixing the classic reggae flow with song’s such as “Don’t Push”. Judging by the crowds reaction, a rerecording with this new twist will sell very well.

Classic favorites were played first, starting off with the iconic “What I got.” This brought out an older, acoustic guitar wielding gentleman introduced as “Cheese.” When he took center stage the crowd looked at one another in a sort of, “who the hell is this” fashion, but were immediately silenced when the first musical notes hit our ear drums.

“Cheese” was a gifted guitarist and the crowd loved him so much that when the song ended, chants of ” bring back Cheese” erupted; setting the tone for the rest of the show. At 1040pm the boy’s tried to end the show in typical Sublime fashion with “Doin Time” the lighters were lit in and the fans were swaying to the smooth summer time anthem, on the first 90 degree day this year.

The band immediately left after “Doin Time” which resulted in a riot level chanting of “one more song!” And of course, how couldn’t they? Sublime didn’t disappoint, coming back and playing three more which they had too have gotten fined for the show went well past 11pm.

Bradley Nowell would be proud, his story lives on with his music. He influenced multiple generations with his songs and story. “Life is too short, so love the one you got.” – What I Got

For a complete set list, click here.

First Impressions: Christina Aguilera – “NOT MYSELF TONIGHT”

Christina Aguilera in her "Not Myself Tonight" video Photo: RCA Records

By Michael Hacker

Fierce.

Fierce is the word I would use to describe the newly released video “Not myself tonight” by Christina Aguilera.  The song is iconic Xtina with rising crescendos and lyrics showcasing her sexuality. In the 4 years since her 2006 album Back to Basics, her personal life had taken the singers attention away from hit making. Being a new mother, it was rightfully so.

Having been released at 12:01 am this morning, “Not Myself Tonight” showcases Aguilera’s “dirrty” side once again, proving to the world that she is still Xtina and not some boring version of a stay at home mom. As the video takes off showing a scantily clad Aguilera grinding between woman’s legs and riding atop a shirtless male model; you all but forget she was a stay at home mom for nearly 4 years.

The video itself, the first single from her June 8th album Bi~on~ic, showcases a fetish riddled Aguilera belting out lines like “I’m out of character. I’m in rare form. And if you really knew me. You’d know it’s not the norm.”

And it isn’t the norm for this recent, married mother. But you can’t help but want to move to the tantalizing beat and seeing Xtina in a set of diamond handcuffs and a bejeweled gag only adds to the shock value. This laments Christina’s bad girl, sexual image; but for some reason we like the taboo appeal of her songs and videos. They make us feel something. After all, all good songs make us feel the beat and lyrics, resonating somewhere within our innate desires to be something else.

I am sure there will be those out there ready to compare Aguilera to Gaga, but truth be told, Aguilera is legit. She is drawing upon her previous image as a bad girl with the pipes to belt out insanely high notes while wearing a chainmail bikini. Need I say more?

We looking forward to hearing the rest of Bi~on~ic on June 8th being as Christina Aguilera rarely disappoints.  This video isn’t for the easily blushed and is certainly borderline NSFW.

An Evening of Music: Who Do You Love

By Frank Alfano

I was recently invited as a guest to Cinemonde Soiree #10.  Cinemonde is described as, “A smart, elegant private film series with screenings of American and international films throughout the year, followed by a discussion, along with a gourmet reception for guests and filmmakers.” The festival featured “Who do you love”, a film portraying Leonard Chess and Chess records, one of the greatest blues labels of all time. My excitement could barely be contained with thoughts of the Blues.  Could there really be a better movie event to attend then one based on the premiere recording studio of the music I love so much?

I headed out to meet my buddy who was accompanying me to the event, down a steadily warming subway to East 23rd Street; between Madison and Park, to G & E Music Studio. In the six-lab studio, Erik and the boys began an impromptu blues session.  Engrossed in the spontaneous music jam, I was in my glory.  It embodied the true Blues, honoring the greats, as if to foreshadow what was in store for the rest of the night. The boys jammed with a set of bongos, and a slide and acoustic guitar.  They unleashed the rifts and lyrics as they played in effortless strokes.  I bobbed my head from left to right, as I lost myself in the music. At about this time, the night caught a hold of me. I was stuck somewhere in the moment, seconds away from joining in with a few unscripted blues licks of my own, but I hesitated. I am not of the singing variety so I caught myself and tried to gain the confidence to join in. However, like all good things, the moment passed and my chance slipped away in vain.

Leaving the studio, our discussion covered everything music: concerts we’ve seen, gigs we’ve played, and talent that has influenced us.  Our arrival at the theatre came as an interruption to our flowing conversation; however, it sparked a new debate – the “casual/evening chic” dress code.

Are we chic enough?

Walking through the venue doors, our guess was as good as yours?  Yet we managed to fit in nicely by the bar.  I surveyed the scene while sipping on Spanish wine.  My excitement started to build, like a child waiting on-line at Disney World.  Anticipation was killing me as I waited for the theater doors to open.  How would this movie compare to Cadillac Records?

We got a nice warm up to the movie portion of the evening with a French short.  Cracking jokes and making remarks from the audience, the night, if ended right there, would have been a great night in my book.  Instead, a short intermission and another wine later, it was time for what we came for, the premiere of “Who Do You Love”.

The movie opened with Bo Diddley on stage playing to a segregated crowd, with Leonard Chess in the background, looking ‘all business’. The film quickly cuts to Chess as a boy, listening to the blues in his family’s junkyard.  Then, we were shown Chess and his wife in a blues bar introducing themselves to Willie Dixon. Now this isn’t a movie review and there were a few aspects to the film that didn’t sit well with me however, overall the movie was a nice picture. It was definitely a better portrayal of the life that engrossed the Chess label in comparison to “Cadillac Records”. Here at STM, we highly suggest you take an opportunity to watch this movie.

As the movie ends, Q& A begins with no other than Marshall Chess, Leonard’s son. The quiet venue immediately erupted. I still chuckle when thinking of how the Q&A unfolded.

We are graced with some of music’s royalty: Bo Diddley’s family, the lead actor of the movie playing Leonard Chess, Marshall Chess, and sitting directly behind me, Little Stevie Van Zandt of the E Street Band. I began to strike up a conversation with which I assumed was another guest. Speaking about the Blues and Chess records, naturally I disclosed my disappointment in these movies (Cadillac Records) conveniently leaving out Buddy Guy. Buddy was another artist to grace the label of Chess Records.  Our conversation was cut short when he was introduced as the lead actor of the movie, portraying Leonard Chess.  I couldn’t believe it.  He walked up to the front of the venue to discuss with us his preparation of becoming Leonard Chess.  This was a truly insightful portion of the night.

All of a sudden the Q & A came to a screeching halt when an audience member asked a controversial question about the business dealings of Leonard Chess.  This angered Marshall. Right before storming out, stopping right in front of me and shouting, “I love my father”, pointing at the woman who asked such an asinine question. The entire mood quickly changed.  Prompted by the uneasiness, almost in a Silvio-esq style (Sopranos), Little Stevie Van Zandt took the microphone to discuss how the music business used to operate. Not satisfying all critics in the room, we were dismissed as tensions started to rise.

Out in the foyer we were able to strike up a conversation with Steven Van Zandt. We discussed a number of different scenarios of the times and touched on different points from the Q & A.  My friend Erik, speaking more music, continued the conversation until I admitted that ten years prior I was indeed a caddy for Mr. Van Zandt. I then made my way over to Marshall Chess to take the opportunity to ask him questions on two things that were bothering me:  how did they get their sound from Little Walter’s harmonica and how did this movie compare to Cadillac Records?  This more intimate personal Q & A went a lot better and went way deeper.  These fleeting moments were surreal.  I had tingles go down my spine when discussing the secret Chess had in creating that famous harp sound from Walter.  I was told to keep it secret, but if you see the movie, you can get a real good sense of how they accomplished it.

As we exited the venue a feeling of remorse came over me.  To feel like a generation of music was being lost. Fortunately for me, I was still with three musicians who shared my passion and dedication.  Music was still alive in the air around me.  It’s eternal, yet fragile.  Unless we continue to create pure music, all that will be left is the creative surge of years past.  If this night taught me anything, it’s that music will always have a place in people’s lives.  The way the music then made the public feel, music today still does.

Raw with Zigmat

By Michael Hacker

Standard Tuning Magazine is in the midst of a series of interviews/first listens of bands, artists and groups that deserve your attention.
Starting with the last interview with Dirty Black Halo, I think we set a pretty good bar for ourselves and hope to continue to bring you music that should be Standard on your music play lists. Continue reading

Musical Obsession: Pink Floyd

By Michael Hacker

“Look mummy, there’s an aeroplane up in the sky”
Did you see the frightened ones?
Did you hear the falling bombs?
Did you ever wonder why we had to run for shelter when the
promise of a brave new world unfurled beneath a clear blue
sky?”
Continue reading

The return of The Stone Temple Pilots

By Michael Hacker

May 25th marks a special day for fans of 90’s style rock.  The highly anticipated new Self titled album by Stone Temple Pilots is their first since the 2003 album ‘Thank You.’ Continue reading